A performance of Rossini’s Otello ossia Il Moro di Venezia from the Royal Opera House, Covent Garden, featuring Mariella Devia, Bruce Ford and Juan Diego Florez.
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Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.
The Pierre Audi production of Guillaume Tell has opened at De Nederlandse Opera.
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