Lost and found
Verdi must have gotten tired of tossing and turning by now and has gone back to resting in peace.
Review
Capitol gains
Clemency tends to get a bad rap these days, as polities demand swift action by leaders whose mandates to govern are violently threatened by “terrorists.”
Daggers are a thane’s best friend
A Birnam Wood of Macbeths and Ladys has come traipsing through New York this year.
It’s complicated
Die Meistersinger von Nürnberg is a problematic opera—or, rather, it is an opera that has, in the last century or so, become problematic.
American verismo
The Little Opera Theater of New York (LOTNY) is presenting a double-cast run of two of Floyd’s early one-acts, Slow Dusk and Markheim.
Regni Dessay
Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera.
The coast of Bohemia
What would you do if I asked you to take a old, faded version of Puccini’s score for La Bohème and fill in the unreadable parts with a mélange of disco, kabarett, and Alban Berg?
Oh ciel! Che intendo!
Heaven temporarily relocated to the Théâtre des Champs-Élysées Sunday evening for a concert performance of Rossini’s revered but rarely heard Semiramide.
All mysteries
And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith… I am nothing.”
Down in the depths on the ninetieth floor
Teatro Grattacielo is New York’s homegrown organization to rescue Verismo operas from oblivion, one per annum, allowing for the occasional double bill.
He’ll take Manhattan
Purchase of Manhattan was given its world premiere on Thursday evening at the Marble Collegiate Church on Fifth Avenue.
Snow business
Every year I say I’m not going to another La Bohème because I’ve seen this too many times.
Golden apple
Paris can be a lot to handle, but this week it was a lot to Handel.
La vie de broham
Imagine the good fortune of attending La Bohème with someone who’s never seen it!
Rolling along
Show Boat continues to communicate, even in the less than perfect circumstances of this latest revival.
Flame war
The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation.
No place like Rome
“There it is! The Castel Sant’ Angelo!”
Katerina’s insomnia
Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk.
Angelina’s ashes
Kitsch is alive and well in Rossini’s La Cenerentola at the War Memorial.
Fox and friends
Cecilia Bartoli, the revered, ebullient, and unique mezzo-soprano, does not like to fly in airplanes. Yet she managed to journey to St. Petersburg, Russia.
Levee duty
If you are of the belief that Show Boat can stand on its own as a classic score and thus doesn’t need the trappings of musical production, you’ll love the New York Philharmonic’s “semi-staged” production.
Dullsville
This was the kind of night that proves the haters right: sometimes opera is boring.
Side eye and bitch face
At the first intermission at last night’s Met revival of Aida, I turned to my companion and said, “So… what about the Aida? I thought she was supposed to be good.”
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).