Okay, La Cieca is finally ready to add another hard and fast “don’t” to her Rules for Stage Directors. To wit: Even if a scene calls for something fantastical, and even if the mezzo doesn’t actually walk out of the production when she first sees the costume… if your imagery immediately and inevitably screams “Star…
The dreaded Regie rears its ugly head in an unexpected venue: a children’s Christmas pageant! “Humbug teachers at a primary school have come under fire for re-writing this year’s Christmas pantomime of Hansel and Gretel – to make them hooded yobs. “The fairytale characters have been re-cast as violent thugs who terrorise their neighbourhood and…
Smartly done, Jim, for last week’s quiz was indeed “Lear, with the little dogs taken literally.” This was the Reimann opera, as performed at the Komische Oper in a production by Hans Neuenfels. Moving on, then. What’s this blonde’s problem?
Christof Loy’s dreamlike, pared-down production of Donizetti’s 1833 masterpiece Lucrezia Borgia, created for the Bayerischen Staatsoper, is brought to life on Medici DVD from performances in July 2009. The DVD of the performance is accompanied by another hour-long DVD, The Art of Bel Canto: Edita Gruberova, which includes some fascinating rehearsal and performance footage of…
Hunkentenor Giuseppe Filianoti performs a little “risqué business” in this trailer for a new production of L’elisir d’amore that opened last night at the Bayerische Staatsoper.
Right the first time, WindyCityOperaMan! Last week’s Regie quiz was indeed Das Rheingold — as envisioned by Barrie Kosky for Staatsoper Hannover. You will forgive La Cieca for saying that either the quizzes are getting too easy or the cher public are getting too smart! As such, your doyenne has put her back into it…
A snippet of the Berlin Lohengrin directed by Stefan Herheim, who is rapidly becoming one of La Cieca’s favorite Regisseurs!
After seeing a video excerpt from the Met’s Patrice Chéreau production of From the House of the Dead, I was struck by the cleanness of it all, the sets, the costumes, the tastefully muted colors, and the direction. No doubt it is moving, in its way, but is it relevant? It looks like generic suffering…
On the heels of this, may I direct everyone’s attention to a funny and fascinating article about Stefan Herheim‘s production of Lohengrin from last spring at Berliner Staatsoper? Now we know what to do with those old costumes and sets that gather dust! [via the wellsungs]
Smartly done, Kashania, who guessed almost immediately that last week’s Regie quiz represented From the House of the Dead — in a production by Calixto Bieito, by the way. But even oil drums, truck tires and life-sized airplanes suspended over the stage might look a little prim in contrast to this week’s puzzler:
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
Noel Dahling hedged his bets, but one of those bets paid off: no, that wasn’t Liù in the body bag, but it was in fact Siegfried — which means, of course, the opera was Götterdämmerung. For those among you who are devotees of the Regie art, the production is by La Fura dels baus.
Is it just me, or does this seem like using From the House of the Dead as a club to beat a dead horse?
The day after opening the 2009-10 season with Hugo Weisgall’s Esther, New York City opera presented one of the most beloved operas in the entire repertoire, Mozart’s Don Giovanni, in a new production by Christopher Alden.
The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.
parterre fave Peter Konwitschny has returned to his métier, directing a new production of Salome — with a happy ending! Following the jump are excerpts from an interview with the director in Volksrant, translated by Our Own Freniac.
Well, Sanford definitely wins the prize for the best mot of the week (in addition to his uncontested status as biggest ‘mo of the year) for his comment about last week’s Regie quiz. The opera pictured above is apparently taking place in a rehearsal hall, so he guessed it must be called Zar und Mary…
This production of Der Rosenkavalier (directed by Stefan Herheim for Staatstheater Stuttgart) looks fascinating:
Mean, moody, magnificent Mariusz Kwiecien gets the Regie treatment (including a buzzcut!) for a new Don Giovanni in Munich.
Two weeks the cher public have had to ponder our most recent Regie quiz, and yet none of the usual suspects were able to work out the obvious clues. A Victorian ingenue and her doting father are interviewed by an Italian fascist in a Rita Hayworth wig?
Maestro Wenarto shows us how Tosca should be done… as directed by that exciting Regie wunderkind Luc Bondage.
A different look at Salome — from the Deutsche Oper am Rhein.
First was littoraldrift, but funniest was Krunoslav in our most recent and (as one might say) entry-level Regie quiz, the answer to which was rather too obviously Falstaff. So, on to something more challenging this week, after the jump.
I’m not sure who I find more annoying – the partisans who vigorously defend Luc Bondy‘s production of Tosca at the Met or those who decry it. As Bondy’s production replaces one of the Met’s signature offerings, both groups have seized on this event as a watershed event in the history of opera in America…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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