Cher Public

Barihunks without causes

Murder, ink.

La Cieca regrets to say it’s time to step back from the gratuitous display of bare skin in opera. Read more »

A quell’amor ch’è palpito

Yes, obviously it’s La traviata, but where? Why, at the Stockholm Folkoperan, of course. There’s a trailer for the production that includes lots, and I mean lots of NSFW nudity, right after the jump.   Read more »

A Life in the Theater

Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box the queer opera zine, ranting about the “squish-squish school of opera direction.” This groundbreaking issue also includes in-depth interviews with the legendary, lovely Anja Silja (in town to perform Vec Makropulos at BAM) and frequently-nude countertenor David Walker; plus reviews from around the world, La Cieca’s occasionally accurate gossip, and a do-it=yourself interview with “Lanfranco Madlibbo.” [Download Issue #45]

Wednesday with Mary

La Cieca apologizes for her tardiness in saluting dear Mary this week, but she thinks you will agree it’s worth the wait.

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The naked and the dead

The controversial production of La traviata from La Monnaie directed by Andrea Breth is now available for viewing online.

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Stocking stuffer

Randal Turner, pictured above, is but one of 33 barihunks featured in—who ever would have guessed?— “the first Barihunks calendar,” just in time for holiday giving and receiving. All proceeds from the calendar, available at the Barihunks site, will be donated to young artist programs. (Photo by Sarah Wells)

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Salo, me

David McVicar’s ravishingly lurid 2008 production of Strauss’s Salome for the Royal Opera House Covent Garden has been issued as an HD-filmed DVD from Opus Arte.  Now, Strauss’s music is ravishingly lurid on its own, so I came to this production, which claims as a visual source reference the Pasolini film Salo, The 120 Days of Sodom, with some trepidation about “ugly image overload.”

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A thousand words is worth a picture

You know how La Cieca gets when one of her darling Regie productions gets dissed sight unseen, as happened on these shores with last Sunday’s unveiling of the Hans Neuenfels Lohengrin at Bayreuth. (Not so much on this site, because La Cieca is happy to report that here at dear parterre.com all schools of opinion—even stupid ones—are given a full measure of respect.)

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