Although primarily known as a vanguard of the Downtown music scene, John Zorn’s artistic and intellectual ethos is at home at the decidedly Uptown institution of Columbia University.
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The Hunt’s strongest argument for the possibility of growth, connection, and agency even under adverse and restrictive circumstances lay, of course, in its music, in which three individual voices were able to combine and transform into something infinitely rich and strange.
Hannah Lash’s latest opera, which premiered at the Miller Theater on Wednesday night, was a musical and dramatic misfire.
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