The Met’s January Rosenkavalier performances have been reassigned to maestro Edo de Waart as James Levine “takes it easy” preparing the new production of Les Contes d’Hoffmann.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
So, which composer wants to jump on this peach of a libretto? “The Met’s fund-raising office had kept in touch with Ms. Webster since then. It sent her books about the birds of Central Park; a volume called Red-Tails in Love: A Wildlife Drama in Central Park.”
My post about Nielsen’s Maskarade outraged only a few of you, and inspired a passionate discussion about what works we’d like to see at the New New Met. (Thank you, Hans Lick, for your very complete wish list!) You are each now invited to vote for your three most longed-for revivals or premieres at the…
It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics…
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
Hui He will sing the title role of Verdi’s Aida at the Metropolitan Opera on March 26, 31, and April 3 matinee, replacing Hasmik Papian, who has withdrawn.
They want it. The career. They want it really bad. So we learn from Susan Froemke’s Metropolitan Opera-commissioned documentary about the participants in the final round of the 2007 MetNational Council Auditions, which is out on DVD this month. Our own doyenne reviewed the film when it was screened as an HD theatrical event, and…
Our JJ writes his rave of raves: “If such a thing as perfection in opera is possible, in this House of the Dead, the Met achieves it.” [NY Post]
Michael Kaiser, president of the Kennedy Center, celebrated mastermind of the financial turnarounds of the Royal Opera, American Ballet Theatre the Alvin Ailey Dance Theater, has some interesting advice for arts organizations in our current troubled times. His ideas take on a strong resonance, La Cieca thinks, when applied to our big New York opera…
Is it just me, or does this seem like using From the House of the Dead as a club to beat a dead horse?
Squirrel is using his Parterre Pulpit to make a pitch. If the Met wants to produce a work that has never been seen in New York, they could do worse than a new production of Carl Nielsen‘s excellent comic opera Maskarade. It’s easy listening for sure, melodically akin to La boheme or Lehar, but marked…
Cher public, if you plan to see the Met’s production of From the House of the Dead (and you might as well know that she expects you move heaven and earth to do so!), La Cieca urges and entreats that you avoid reading Anthony Tommasini‘s review of the production in tomorrow’s New York Times.
La Cieca invites all you Deadheads to chat during tonight’s Met season premiere of From the House of the Dead. The chat begins at 7:45 pm. Sirius/XM RealNetworks from metopera.org
Felicity Palmer has withdrawn, alas, from the Met’s spring revival of La Fille du Régiment. In her place, alternating in the role of the Marquise de Berkenfield we will hear Ann Murray (pictured, with friend) and Philip Langridge. (Oh, all right, La Cieca is being silly. Not Philip Langridge, actually, but rather Meredith Arwady. But…
The response to the critic auditions post has been something more than gratifying, cher public, with over 30 of you competing for entry into one of La Cieca’s limited number of slots.
“Since its 1987 premiere, this Franco Zeffirelli production has transitioned from breathtaking to tasteless to endearingly camp.” [JJ in NYP]
Tonight’s chat during tonight’s season premiere of Turandot from the Met begins at 7:30 pm. Sirius/XM RealNetworks from metopera.org
UPDATE: Looks like Guleghina’s going on (no big surprise, that). Chat is on for 7:30 as mentioned before. If Maria Guleghina is going to cancel tonight’s Turandot (following up on “bronchitis” privately announced at the dress where she marked the role) the announcement from the Met should come shortly after 5:00 pm (five minutes from…
La Cieca invites the newly reunited cher public to participate in an archeological dig scavenger hunt puzzle quiz promoting the new “Sacrificium” CD from Cecilia Bartoli. Ready to play? Well, first you have to answer this question: Farinelli’s remains were exhumed in 2006 from this cemetery in Bologna? Most of you surely know the answer,…
Even though La Cieca is sure you will agree with her that “Meglio stasera, che domani o mai. Domani chi lo sa, quel che sarà,” the fact is the server people are still working on parterre.com with a “go” time set for sometime early tomorrow. Be assured that your doyenne will inform you here at…
Tonight’s chat during the season premiere of La Damnation de Faust from the Met begins at 8:15 pm. Sirius/XM RealNetworks from metopera.org
“…at the height of her crippling attacks of stage fright, her vocal coach had to physically push her on to the stage of the Met’s new production of The Marriage of Figaro, in which she was singing with Bryn Terfel and Cecilia Bartoli.” [Times Online]
The film of that awful play Master Class will begin lensing next week in Detroit. Faye Dunaway directs and stars as Maria Callas. [Detroit Free Press] UPDATE: Edited to include this much funnier photo suggesting La Dunaway has decided to play the Audra McDonald part.
Olga Borodina goes on tonight in Aida at the Met, subbing for an ailing Dolora Zajick. It’s on Sirius, for those of you who feel like chatting.
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.