Recent discussion about the merits of Le Prophète has prompted Chris’s Cache to unearth a pirate recording of Meyerbeer’s opera with Marilyn Horne, Rita Shane and Guy Chauvet led by Charles Mackerras, along with an earlier collaboration of the mezzo and conductor: Gluck’s Orfeo ed Euridice in which Horne goes to hell to get back Adriana Maliponte with the help of Judith Blegen.
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Were Joan Sutherland and Marilyn Horne 20th century opera’s ultimate same-sex pairing?
A 1983 concert performance at Carnegie Hall with June Anderson, Marilyn Horne and Samuel Ramey; Henry Lewis conducting.
Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Back when I was a good boy, I told my parents that my goal in getting my first job was to earn money for college; however, my real motive was to make my secret wish come true—to be able to consort with “pirates.”
The opening night of the Metropolitan Opera of September 1972 was supposed to be the dawn of a new era.
From an early Mike Richter CD-ROM, “Odd Opera” comes this gem, a live performance of Handel’s Semele at Carnegie Hall on February 23, 1985, the 300th anniversary of the composer’s birth.
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