The Met will distribute free tickets for their dress rehearsal of Tosca on Sunday, September 13 beginning at noon. La Cieca thinks you all understand how important it is that parterre.com scoop the world in reporting on this event, so she trust the cher public will do the right thing. [NYT]
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Which merry blonde is about to waltz her way into the sovrintendente’s office at a top Italian theater? Come on, all! Hey, you can guess this one — even without a degree from the oldest university in Europe!
La Cieca hears that Angela Meade, triumphant in this summer’s Semiramide at Caramoor, has been invited back there in 2010 for her first Norma. Other future dates include Les Vêpres siciliennes in Vienna and a return engagement at the Met in Ernani. On the bill at Caramoor for 2011: that grandest of all grand operas,…
Anna Netrebko will not sing Violetta in New York during the 2010-2011 season, La Cieca has learned. The long-expected La traviata (as discussed on Met Futures and elsewhere) was to be a version of the Willy Decker production the soprano did at Salzburg in 2005. According to an interview the Frankfurter Allgemeine Sonntagszeitung, Netrebko has…
What impressed La Cieca at the Caramoor concert of Semiramide on Friday was not so much the quality of the performance (though that was on a solidly high level) but the magnificence of the work itself. This magnificence stands out now in even greater relief after the comparison with Les Huguenots later in the weekend.
The atmosphere around Gotham may become rather more bizarre sometime in the next couple of years when Rufus Wainwright brings his opera Prima Donna into New York.
Candid snapshots of La Cieca’s arrival this morning at the parterre box editorial offices.
A preview of sorts of next season’s Met production of Armida. This is Herself, as heard last week in Prague.
La Cieca hears that Joyce DiDonato took the proverbial “break a leg” too literally during the opening night of new production of Il barbiere di Siviglia at Covent Garden yesterday. The mezzo caught her foot in a track on the steeply-raked stage and fractured her leg during the first act. Despite the pain, she continued…
According to Musical Criticism, Deborah Voigt has canceled her run of Tosca performances at the Royal Opera “due to ‘acute colitis’.” As it happens, your doyenne had a tip on that cancellation late last week and for whatever reason (Michael Jackson fatigue?) she didn’t share that gossip with you. So, cher public, here’s a chance…
La Cieca has obtained a copy of the main part of the email sent to AGMA members by the organization’s national executive director Alan Gordon in the wake of yesterday’s abortive meeting with NYCO’s George Steel.
This just in from the Met’s press office: “In the Met’s new staging of Offenbach’s Les Contes d’Hoffmann, Joseph Calleja will sing the title role, replacing Rolando Villazón, and Alan Held will sing the roles of the four villains, replacing René Pape.” The press release goes on to explain that Villazón plans to undergo throat…
La Cieca hears that Eva Mendes (“Crystal” in the recent horrific remake of The Women) will play Maria Callas in a biopic based on the diva’s life.
La Cieca hears that Local 802 of the American Federation of Musicians has reached an agreement with the New York City Opera. Since AGMA agreed in their meeting on May 18 that they would go with whatever 802 decided, “it looks like the season is safe for now,” says our informant.
La Cieca is frankly gobsmacked that Our Own Vicar of John Wakefield has remained mum about the most important sex scandal of the 21st century, and possibly in Western Civilization taken as a whole. Definitive mezzo-soprano Anne Howells has apparently fingered author and TV presenter Clive James as her illicit lover. James, whose name Ms. Howells…
La Cieca hears that Rene Pape has just canceled an upcoming production of Les Contes d’Hoffmann. Now, we New Yorkers perhaps should not panic quite yet, because the engagement he has just asked to be released from is not at the Met. On the other hand, the Hoffmann Pape is leaving is after his scheduled…
It’s been rumored, but you know how La Cieca feels about rumors. Anyway, here’s some solid proof that Joseph Calleja has been engaged for the Met’s new production of Les Contes d’Hoffmann set for a December 3, 2009 opening.
Those of you who have been following the AGMA/NYCO rowdydow may be interested to hear that the labor union is also in touch with its members in regard to attempts at cost-cutting at the Met. La Cieca has learned from an AGMA member that Peter Gelb has recently written a letter to Met artists asking…
A crestfallen member of the cher public forwards to La Cieca this disheartening announcement from John Banta, Director of Special Events for the Met: Thank you for your interest in attending the Metropolitan Opera’s Sneak Peek of the New RING Production on Friday, May 8th at 3:15pm. Unfortunately, due to a scheduling conflict, we have…
Resilient soprano Christine Brewer has made a quick recovery from her knee injury, La Cieca hears. The soprano, missed so sorely this season in the Met’s Ring, will return to the stage tomorrow night for a performance of the Verdi Requiem with the Santa Fe Symphony. Ms. Brewer is jumping in (if that is the…
So, guess who’s going to sing Norma? “Sie ist die unbestrittene, strahlende Königin des Koloratur-Mezzofachs: Cecilia Bartoli. In der kommenden Saison wird sie im KONZERTHAUS DORTMUND in einer der bedeutendsten und schwierigsten Partien der gesamten Opernliteratur zu erleben sein: als „Norma“ in Vincenzo Bellinis gleichnamiger Oper. Die musikalische Leitung dieser wichtigen konzertanten Produktion liegt in…
Our Own Sra. Flora del Rio, benevolent rhinemaiden of the Rio Grande, shimmered into a press conference at Santa Fe this morning and quickly shimmered out, there being but modest news to report on SFeO Season 2010. However, Flora sent this grist for your mills: Madama Butterfly, The Magic Flute, The Tales of Hoffmann, Life…
Life sometimes does imitate art, or anyway bad art. La Cieca notes in today’s New York Post a story about a wedding interrupted when the bridegroom’s boss suddenly shouted that she had slept with the groom. As any hack librettist will tell you, this is a great excuse for the big third-act concertato.
A sharp-eyed member of the cher public writes: I attended a performance of Damnation of Faust (with a magnificent Polenzani and Ketelsen) in St. Louis this past Saturday night. When I arrived, there was Christine Brewer in the lobby looking quite well. No cane, no walker, no crutches, no limp, no nothing. I walked up…
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