Cher Public

Avant-garde

Well, it had to happen sooner or later, and so it did happen, sometime between last night and tonight. La Cieca has decided she’s taking Roberto Alagna‘s side in The Scandale.

Yes, yes, La Cieca hears your gasps and snorts of disbelief and contempt, but you know, cher public, La Cieca is, deep in her bleeding heart, always on the side of the underdog. And, yes, by this point Alagna is the underdog.

Of course La Cieca knows that Alagna brought this upon himself. But in life (as in opera) there are very few pure heroes and villains. Do we not, for example, weep for Manon as she so movingly expires, whether at Le Havre or in the desert near New Orleans? And yes, she brought most of her misery upon herself. If the poor dear thing had even a shred of morality, she could have saved everyone (particularly Des Grieux) whole cartloads of heartache. But morality wasn’t what Manon was about; that’s not how she was made.  Read more »