Cher Public

Greetings from the Alcova Dorata!

miami_beach_thumbWhat a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach (circa 1975)?  Read more »

Quel grido e quella morte

Maria Guleghina‘s Turandot on PBS right now, and, holy hell, I didn’t realize just how incredibly awful it sounded. How could anyone let such a thing be released — no, escape — on HD? Read more »

And the lorgnette goes to…

lorgnette_dorThe results are in for the first annual Pubie Awards, nominated and voted upon by you, the Cher Public. Turnout this year was spectacular, with some categories racking up as many as 2,647 votes. A few of the races were close, and La Cieca thinks you’ll see an upset or two among the winners, after the jump.  Read more »

An option that should be dropped

Dimitra Theodossiou “takes” a high E-flat at the end of Odabella’s cabaletta.

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Wake me up before you catalog

You know, La Cieca lived through the 1980s, just barely, and then imagine her surprise when, midway through the 2000s, there was a revival of all that 80s stuff — shoulder pads, leggings, big hair, glitter. All of it. Well, no, not quite all of it. There was one trend of the 1980s whose revival we were mercifully spared. Until just now.

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Turandon’t

La Cieca listened to Sirius for a while tonight, but then her ears began to bleed. When the best singing comes from Margaret Juntwait… but I gotta tell ya, folks.

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The words “ao vivo” are thrown around a lot these days…

Long before there was Miranda, there was “La Perle Noire du Brésil,” Natalia De Andrade. 

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To boldly go where too many regies have gone before

Okay, La Cieca is finally ready to add another hard and fast “don’t” to her Rules for Stage Directors. To wit: Even if a scene calls for something fantastical, and even if the mezzo doesn’t actually walk out of the production when she first sees the costume… if your imagery immediately and inevitably screams “Star Trek,” well… just don’t!

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