Cher Public

When off-off was on to something


Bliss it was in that dawn to be alive. A sort of bliss. No one was sure where the musical form was going to go. Off-Off Broadway, they experimented in all directions. Heavier rock, lighter rock, no rock at all, no music at all, no lyrics at all, rock opera, ballad opera, folk opera. Read more »

Nothing’s gonna charm you

Third time’s the charm, they say—and I’ll give Encores!’ final production of the season, High Button Shoes, that it had some of that precious, often elusive quality.  Read more »

Winged defeat

For me, two angels made this frankly disappointing evening worthwhile. First, there’s Hans Spialek, the original orchestrator, whose work—resurrected here after many decades—is as gorgeously diaphanous and bubbly as anyone could want.  Read more »

Close ‘Call’

Director Casey Hushion attempts to spice up Call Me Madam in ways that make it feel more than ever like an out-of-touch relic.

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Golden but not delicious

The cultiest of cult musicals, an All-American take on the Iliad and the Odyssey, the spectacularly witty Golden Apple of John Latouche (words) and Jerome Moross (music), opened Off Broadway in 1953 to some acclaim.

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Big D-elight

Who is the most happy fella, he who perfectly fits societal definitions of fitness and attractiveness, or he who attains self-acceptance in spite of whatever personal idiosyncrasies he may confront?

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