Yesterday’s first half of the Rusalka video overview took us from literalism toward Regietheater. Today’s conclusion, covering filmed performances of Dvorák’s opera since 2010, charts the progression in reverse. Read more »
“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement: a performance of Verdi’s 1853 spellbinder to rank with one’s rosiest recollections of past glories, in combination with a poignant human story that left both cast and audience dissolved in tears.” [New York Observer]
parterre box, the world’s most widely-discussed online opera magazine, is now booking advertising for the 2018 fall season. We offer spaces and rates to suit everyone who is interested in reaching parterre’s vast and discerning audience. Email us at advertising@parterre.com and be sure to ask about our deep not-for-profit discounts!
Earlier this year when the Met announced its 2015-16 season, the fall revival of Verdi’s Il Trovatore looked pretty routine– except the first US Leonoras of reigning diva Anna Netrebko. Few would have predicted that Friday night’s prima would turn out to be one of the most thrilling—and moving–performances heard at the house in many a season. Read more »
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
And in this dream, WQXR’s Operavore was hosting an exclusive season preview for the Met at the charming downtown Greene Space.
Cher Public