Show business fables often involve an ambitious, if naïve, ingenue (male or female) desperate for fame. This young wannabe finds fame and fortune: but it comes at a cost.
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After two previous productions of Tosca in New York City this season (the Met’s revival of the controversial Luc Bondy version and NYCO Renaissance’s depressingly retrograde take), New Yorkers finally got a pleasing, if rough-edged, performance of the Puccini classic from LoftOpera.
Now it seems the NYCO’s Duchess of Argyll will have to make do with a mere 25 lovers in the company’s production of Powder Her Face—instead of the originally planned 88.
On Friday, April 16th, American Opera Projects and Opera on Tap presented a triple bill of new works at Galapagos Art Space in DUMBO, including what is essentially a pastiche, a collection of songs, and a one act opera. There were highs, there were lows; there was booze and opera in the same room. I…
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