As usual when it’s a Fleming Flapper doing the writing, everything is everyone else‘s fault: poor Renée just sort of wanders in off the street and all this stuff keeps happening to her:
By La Cieca
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Tuesday morning: A further report from Lindoro Almaviva: Over all the night was a success d’estime. It was a Renee worship night and we got just that. I am sure you will be able to talk in better terms about the singing or lack thereof. My impression is that Renee had an “acting” night, as…
By La Cieca
La Cieca thanks all her cher public who participated in our first chat of the season.Â
By La Cieca
Our own dear publisher JJ informs La Cieca that he will be interviewed tomorrow afternoon during CBC’s “Saturday Afternoon at the Opera” by host Bill Richardson. In this, his first international radio interview, JJ is expected to field hard-hitting questions on such topics as “The Busch Doctrine,” and he warns us in advance that his…
By La Cieca
Artistic adminstrators at the Met and around the world are gnashing their teeth and tearing their hair this afternoon at Bryn Terfel‘s bombshell announcement that he will retire from opera “within three years.” The biggest local impact will be felt in the Met’s glossy new Ring cycle, in which (according to Brad Wilber) Terfel was slated…
By La Cieca
“Clark Kent stole the show but there is nothing wrong with that!” A review of Jonas Kaufmann‘s nerdy take on Don José (in a Zurich production of Carmen) on a very interesting blog just introduced to La Cieca, Opera is magic!
By La Cieca
La Cieca’s old, old, old (and yet somehow ageless) friend Anne Midgette isn’t just sitting around for The Season to begin like us lazy bloggers. She’s been listening to new recordings of operas by living composers including Michael Nyman, Scott Wheeler and Douglas J. Cuomo. Mr. Cuomo is best known (as they say) as the…
By La Cieca
“I think that there will be an increased desire in the future to hear great singing again. Certain operas rise and fall on having the requisite vocal chops, and no degree of theatrical energy or physical glamor can replace this.” So says is IMG Artists Vice President and Artist Manager Matthew A. Horner (known affectionately…
By La Cieca
Three-time World’s Best-selling Canadian Female Recording Artist of the Year Céline Dion apparently has not come to her senses in the eight months that have passed since her Las Vegas farewell. As La Cieca warned you last year, the québécoise canary is planning a crossover into the cinema, specifically a biopic in which she, Céline…
By La Cieca
That bloggeress La Cieca likes to think of as “like a young me,” OperaChic, is currently and brilliantly following up on the controversy sparked by Lorin Maazel‘s grumpy condemnation of those darn newfangled stage directors who won’t get out of his yard. Consarn it. Joining Maazel in tying an onion to his belt is the…
By La Cieca
La Cieca’s dear colleage The Counter Critic is writing a piece for a New York paper about the Met’s HD program. He is looking for “people to interview who have seen the simulcasts, and who have strong opinions about how folks behave during the screenings.” Here’s your chance for your voice to be heard loud…
By La Cieca
The current issue of The Advocate includes an interview with adorable 27-year-old bedhead Nico Muhly about his next composition project, an opera “based on a true Internet romance/friendship between two teenage boys that ended in one of the two stabbing the other to death.” Muhly’s “teen gay Internet sex drama,” to a libretto by Craig Lucas,…
By La Cieca
RogerEvansOnline reports that George Steel, executive director of Columbia University’s Miller Theatre, will be the new general director of the Dallas Opera. La Cieca would like to take a moment to recognize the “man bites dog” novelty angle of this story: Steel is not British.
By La Cieca
The latest Newsweek includes a tech piece on a new bit of synergy that may well have opera queen/pirate applications. The idea is that one can attend an event, point and shoot with a video-enabled cellphone, and have the resulting video streamed instantaneously to a website.Â
By La Cieca
La Cieca has heard the sad news that maestro Nicola Rescigno died earlier today in Viterbo, Italy. The Dallas Opera website now has an obituary for the conductor and co-founder of the company. [kml_flashembed movie=”http://www.youtube.com/v/4fsOVCnE_WY” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
The Beautiful Voice is known for her improvisational skills both as an actress and as a musician (who can forget her “Over the Rainbow” or “O légère hirondelle?”) Now La Fleming has harnessed her spontaneity to create a variant text for her first public performance of a celebrated Puccini aria. Manon ho studiato UPDATE: The…
By La Cieca
Members of the cher public indigenous to the District of Columbia and its environs will welcome Anne Midgette as music critic for the Washington Post, as leaked this morning on Ionarts. In fact, Midgett’s full-time appointment is good news on a national scale, given the media’s current scary cutbacks in arts coverage. The scribe’s current…
By La Cieca
While your doyenne is busy this weekend with “Viva la Diva!” you, cher public, may want to spend a few suspenseful moments perusing the latest iteration of Brad Wilber‘s MetFutures, hosted for the summer at Sieglinde’s Diaries.
By La Cieca
Cher public, La Cieca can hardly believe that the musical event of the season has slipped her mind until just this very minute. She is talking, of course, about the concert tonight in Prospect Park by (in alphabetical order) Roberto Alagna and Angela Gheorghiu. The Thirteen/WNET website helpfully notes that “Gheorghiu and Alagna aren’t strangers…
By La Cieca
“Even though opera is an anachronism, a centuries-old art form replete with some of the creakiest plots imaginable, in 2008 opera – at least the Met Opera– is where the action is.” An alternative (or perhaps a response) to the Wall Street Journal‘s dire prognostications may be found in an analysis of the Met’s current financial position by…
By La Cieca
