“The Met now presents works by directors like Luc Bondy or Patrice Chereau – the people who worked in Europe 20 years ago and whose work was derided from afar.” Once she gets past the librettese (“derided from afar?”) La Cieca thinks she will like this Nikolaus Bachler. [Deutsche Welle]
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Opera Orchestra of New York will stage a cautious comeback next season with a program of solo recitals and “intimate and informal dinner-hour recitals and talks” featuring the irreplaceable Ira Siff. Full recitals are programmed by “Golden Voiced Diva” Aprile Millo (celebrating the 25th anniversary of her OONY debut) and Eglise Gutiérrez, most recently heard…
Our Own JJ braved the wilds of the Lincoln Center Festival, where he saw and reviewed The Peasant Opera, though for reasons best known to himself he omitted any mention of the giant jeweled dildo. [NYP]
La Cieca’s old, old, old friend Kelly Rinne (who, not so incidentally, masterminded the rescue of parterre.com during the late server unpleasantness) is launching a new show on ClassicalMusicBroadcast.com. The show features new releases of instrumental, vocal, opera and modern classical music, and Kelly is looking for a great name for the show. If you’ve…
The beloved soprano is at least 96 years old today. (Photo by Gjon Mili.)
Your dithery doyenne sometimes gets so bogged down in local drama such as the continuing story that is NYCO that she overlooks the occasional outlying scandale. Such is the case with what she will henceforth call The Mishegas in Milwaukee. This brouhaha over the direction of the Skylight Opera has (per La Cieca’s informant) escalated…
Anna Netrebko and Piotr Beczala are seen (briefly) in this clip from Tchaikovsky’s Iolanta, as produced at Baden-Baden.
So says Our Own JJ, who had a lovely time at Caramoor’s L’elisir d’amore, and lived to tell the tale at musicalamerica.com.
La Cieca has just heard the very interesting news that Gotham Chamber Opera, in partnership with the American Museum of Natural History and in association with American Repertory Theater, willl present Il mondo della luna by Joseph Haydn, in a new production staged by Diane Paulus, director of Hair, which received the 2009 Tony Award…
A preview of sorts of next season’s Met production of Armida. This is Herself, as heard last week in Prague.
No wonder so many of you had “trouble” with last week’s Regie quiz, since the opera represented was — no, not Madama Butterfly — but Trouble in Tahiti, a production at the Munich Opera Festival directed by Schorsch Kamerun. (The leading roles were luxuriously cast with Rod Gilfry and Beth Clayton.) The casting for this…
La forza del destino from the New Orleans Opera (1953) continues on Unnatural Acts of Opera. Meanwhile, La Cieca comments about all that publicity JJ has been receiving lately.
La Cieca is simply beside herself to announce what she is confident will be both the biggest and most exciting parterre box competition of all time. This competition is called “Reading the Letter,” and it will test that most basic of opera queen skills, i.e., pretending to be a soprano. After the jump, La Cieca…
“A music review on Monday about the opera ‘Prima Donna’ by Rufus Wainwright, in which the character Régine at one points asks ‘Who is this woman?’ and thus recalls a similar question in ‘Madama Butterfly,’ misidentified the character in that opera who asks about a woman’s identity. She is Suzuki, Butterfly’s servant — not Butterfly.’…
“Il Devo a global phenomenon” [Fresno Bee]
Casting is announced for the New York City Opera’s 2009-10 season. It’s all on their website, but here are a few highlights: The “American Voices” concert features “a roster of stars including Joyce Castle, Anna Christy, Joyce DiDonato, Lauren Flanigan, Anthony Dean Griffey, and Samuel Ramey, all of whom appeared [note the past tense] at…
The Divine Miss Millo sings “Pace, pace” in a concert from August, 1988. (Hey, don’t laugh: we all had hair like that then.)
La Cieca’s friend and icon Dorothy Bishop showed up last night on America’s Got Talent!
“We live in an age in which everyone is encouraged to express themselves, from inane blogging, Twittering and voting in mediocre talent shows. Please, let’s keep this out of the concert hall.” Jonathan Lennie admonishes over-enthusiastic applauders. (PS: the quotation sounds particularly funny if you do the voice.) [Time Out London]
Simply everyone chimes in today about Monday night’s Met in the Parks recital at Central Park SummerStage. JJ has one take, Anthony Tommasini quite another, and for depth of detail, you need look no further than Our Own Sanford:
Peter Gelb, who recently has been asking the Met’s rank and file for salary concessions, had his own compensation bumped up 36% for the 2007-08 season. According to Bloomberg News, Gelb earned about $1.5 million during his second year as the Met’s general manager. Since then he and the Met’s senior staff have taken 10%…
La Cieca is going to bid farewell to Prima Donna and Rufus Wainwright, for the moment anyway. But before you doyenne actually, you know, goes (i.e., “ma tu ben mio, meco ritorna in pace”) she’s just going to say this: A piece like Prima Donna is exactly the sort of thing (or at least one…
Aggregated for your aggravation, here’s the critical response to Prima Donna, the new opéra by that little gay wolverine fellow. [Clef Notes]
Was our last Regie quiz too easy? Quite a few of you (led by operacat) correctly recognized in the wartorn landscape a glimmer of I puritani. This week, La Cieca sends in the clowns (among others). Remember, cher public, honest guesses only: no blurting out the answer if you recognize the production!
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.