After the jump is the cover of Cecilia Bartoli‘s new CD, which apparently is all castrato music, all the time. Oh, it hurts!
46 comments
Now that single tickets are available for purchase by Met season subcribers, and as the NYCO continues to dribble out details about casting, it’s time for La Cieca to start organizing her social diary for the opening of “The Season.” Where will Le Tout New-York be tooting this time around, cher public? Let La Cieca…
The Royal Opera House, which in its past season glitzed up its programming with such gimmicks as a tabloid tie-in and a mezzo-soprano strapped to a wheelchair, now looks to be getting desperate. The venerable opera company has commisioned a “Twitter Opera,” with a libretto to be gleaned from sundry tweets posted via the popular social…
La Cieca hears that Angela Meade, triumphant in this summer’s Semiramide at Caramoor, has been invited back there in 2010 for her first Norma. Other future dates include Les Vêpres siciliennes in Vienna and a return engagement at the Met in Ernani. On the bill at Caramoor for 2011: that grandest of all grand operas,…
Anna Netrebko will not sing Violetta in New York during the 2010-2011 season, La Cieca has learned. The long-expected La traviata (as discussed on Met Futures and elsewhere) was to be a version of the Willy Decker production the soprano did at Salzburg in 2005. According to an interview the Frankfurter Allgemeine Sonntagszeitung, Netrebko has…
Cher public, you may be interested or alarmed (as the case may be) to glean a little more information about the namesake of the David H. Koch Theater at Lincoln Center, home to, among others, the New York City Opera. Mr. Koch is chairman of the board of the Americans for Prosperity Foundation, which finances…
This is someone we need to hear more of. [kml_flashembed movie=”http://www.youtube.com/v/lOraQt705FY” width=”425″ height=”350″ wmode=”transparent” /]
In the wake of a New York Times exposé of Milwaukee’s Skylight Opera Theatre’s welter of “demonstrations, petitions, mass resignations of performers, subscriber revolt and Facebook vitriol interpreted by management as violent threats,” Playbill News reports this morning that Eric Dillner, the “vilified” managing director of the company, has resigned. According to a story this…
[kml_flashembed movie=”http://www.youtube.com/v/zeMMG440Ce0″ width=”425″ height=”350″ wmode=”transparent” /]
La Cieca has just heard the shocking, shocking! news that Margaret Juntwait will step down as host on Metropolitan Opera Radio.
What impressed La Cieca at the Caramoor concert of Semiramide on Friday was not so much the quality of the performance (though that was on a solidly high level) but the magnificence of the work itself. This magnificence stands out now in even greater relief after the comparison with Les Huguenots later in the weekend.
“Thrilling musical ideas rapidly alternate with banalities, as if Meyerbeer feared he was writing for an audience with the attention span of a gnat.” Our Own JJ weighs in on Les Huguenots in the New York Post.
Congratulations and best wishes to newly wed couple Ira Siff and Hans Pieter Heijnis, who were married Saturday in a politically-charged ceremony in Amsterdam. [via Reuters]
Well observed, grrg! For a guy with no vowels in his name, you picked up pretty quickly that our most recent Regie quiz depicted Il mondo della luna. So now, vowelled and unvowelled alike, you are challenged to identify this week’s mystery opera! (Remember: if you recognize the production, keep still while others guess!)
Some songs just steadfastly repel the crossover treatment. Some years ago Karita Mattila came to grief on “Diamonds are a Girl’s Best Friend” and now Anne Sofie von Otter doesn’t do much better. (Why does it always sound like they coached this number with The Opera Milf?)
The atmosphere around Gotham may become rather more bizarre sometime in the next couple of years when Rufus Wainwright brings his opera Prima Donna into New York.
A birthday salute from Finnish firecracker Karita Mattila.
La Cieca has to admit that what she thought would be a bang-up notion turned out to be a total damp squib: the “Letter” competition failed to rouse much interest. The sole (albeit very fine) entry follows the jump.
Candid snapshots of La Cieca’s arrival this morning at the parterre box editorial offices.
Yesterday, a performance of Lucrezia Borgia was telecast in Europe (previously recorded during a July 6 performance). This Christof Loy production from the Bayerische Staatsoper features Edita Gruberova in her first staged Lucrezia, in the company of Pavol Breslik (Gennaro) and Alice Coote (Maffio Orsini). A selection of clips follows the jump.
In a startling and sudden transition from high to pop culture, the Bayreuther Festspiele GmbH has announced they are producing a television film about their recent changeover in leadership to a partnership between half-sisters Eva Wagner-Pasquier and Katharina Wagner. Casting for the film is just what you might have expected.
La Cieca may have pointed this out before, but it’s worth pointing out again. Is this film clip the ultimate Renée Fleming experience, or what?
La Cieca is dubious about the effectiveness of City Opera’s new advertising campaign.
Sponsored
Reach your audience through parterre box!
parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for the 2023-2024 season. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.
