Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
With Liber scriptus came the biggest discovery for me, the vocal talent of Elena Stikhina.
Before there was a Stefan Herheim Boheme (which I reviewed a couple of weeks back for this site), there was a Herheim Eugene Onegin, recorded in June 2011 at De Nederlanse Opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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