“When the Met last offered Verdi’s Macbeth a quarter century ago, the New York Times slammed Sir Peter Hall‘s staging as ‘the worst new production to struggle onto the Metropolitan Opera’s stage in modern history’ and the opening night audience greeted the curtain calls with some of the loudest boos in the theater’s history. On […]
Our Own Little Stevie reflects on the Met’s new Macbeth. I’d like to admit a guilty pleasure of mine: I’ve secretly been waiting with a lot of anticipation for Maria Guleghina to sing in Macbeth and Norma this year. I have not told this to many people because it seems that the common expectation has […]
Our Own Gualtier Maldè reflects on last night’s Met Lucia:The Met has often been accused and rightly so of ignoring young talent and waiting too long to hire up-and-coming new stars while hanging on to declining old favorites well past their sell-by date. Occasionally a promising new talent from the Young Artists Program will blossom […]
So, was last night a triumph or a disaster? Well, it was neither since the role of Radames doesn’t play to all of Roberto Alagna‘s strengths but it was a very fine showing by a distinctive and sensitive artist in a repertory that isn’t his natural metier. The evening’s biggest triumph was scored by old […]
La Cieca introduces a new feature on parterre.com, the guest review. First up to bat is longtime print zine stalwart Little Stevie, who saw Lucia di Lammermoor last night. Take this as you will: based on this evenings performance the new Met Lucia is pretty bad. The acclaimed Ms. Zimmerman simply doesn’t know how to […]
A composer I know, a neighbor,once dropped the electrifying newsthat the great Anna Moffo has sung his songs,and telephones him every New Year’s. Whenever I see him on the street,scurrying along with music scoresclutched to his chest,I stop him to askif Miss Moffo, as I,in my utter adoration, like to call her,has phoned him yetto […]
That’s a bit of the description of Natalie Dessay‘s Lucia mad scene, as dress-rehearsed at the Met earlier today and reported by La Cieca’s spy. The complete report (including SPOILERS!) follows: I’m sure some people will be up in arms over the production. It is set in the mid-19th century. The costumes are decent. Mariusz […]
Our new correspondent Miss Laura Hope Cruisey finishes her report from Santa Fe. Everywhere we look there is Nicole Cabell – so exotic! Wow! Very interesting looking woman; and her new arias CD is the most advertised classical record around, and it is getting good reviews. She was kind of a Mrs. Obama on stage […]
La Cieca’s Gal-pal del Golden West, Laura Hope Cruisey, sounds off on Santa Fe, 2007. Can we talk like this? Has Carl Rove turned off the reel-to-reel, before he turned out the lights? Well, since the New York Times seemingly did not cover the Santa Fe Opera Festival 2007, somebody’s got to say what happened […]
Actress, singer, arts advocate, socialite, TV personality (and New Orleans native) Kitty Carlisle Hart has died at the age of 96. La Carlisle made her Broadway debut in 1933 in the musical Champagne Sec (a version of Die Fledermaus), then went to Hollywood for a brief stay highlighted by her turn as “Rosa Castaldi” in […]
La Cieca is no big believer in omens, but she must say that within a hour of Aprile Millo‘s final curtain call on the Met stage Saturday night, all hell broke loose over New York. Not exactly “stars with trains of fire and dews of blood/Disasters in the sun” but certainly a messy and unseasonable […]
“At ‘Connect at the Met for Gay and Lesbian Singles,’ a social mixer at the Metropolitan Opera on February 2, prospective hookups sipped Champagne in between acts of Leos Janácek’s ‘Jenufa.’ This grim tragedy might seem unlikely to kindle thoughts of romance, but even those participants who failed to launch a relationship had the satisfaction […]
“In Leonard Bernstein‘s clever one-act opera Trouble in Tahiti, the heroine describes a gaudy movie musical as so much ‘Technicolor twaddle.’ If Tan Dun‘s new work The First Emperor (heard at the Metropolitan Opera on December 29) can hardly be dismissed as twaddle, it never attains the epic status to which it aspires.” Our publisher […]
You may well be surprised to hear La Cieca say this, cher public, but she’s bellowing a lusty “brava” to none other than Renee Fleming. On yesterday’s matinee Met broadcast of Rigoletto, Fleming took on a role associated with Geraldine Farrar, that of intermission commentatress. One of the first questions she lobbed at Joseph Calleja […]
Well, it had to happen sooner or later, and so it did happen, sometime between last night and tonight. La Cieca has decided she’s taking Roberto Alagna‘s side in The Scandale. Yes, yes, La Cieca hears your gasps and snorts of disbelief and contempt, but you know, cher public, La Cieca is, deep in her […]
Fred Kirshnit joins the legions dazzled by the radiance that is Millo. In The Sun, Kirshnit writes People who love Aprile Millo really love Ms. Millo, and so interspersed among the nearly capacity crowd dressed in their finery as the National Italian American Foundation honored the soprano were the occasional young man or pair of […]
Fifty parterre box livechatters agree: the first RealNetworks Met Opera streaming broadcast was a sensational success! Listeners compared notes last night during the performance of Rigoletto, a number of them doing an A/B comparison between the Real stream and the Sirius stream. The consensus was that the Real stream offered excellent fidelity and depth of […]
Anna Caterina Antonacci is not, in fact, coming to the Met. Admittedly her scheduled debut was Donna Elvira and nothing definite after that, but still, she’s an interesting artist who isn’t heard enough in the U.S., and a few Elviras is better than no Antonacci at all. Apparently Antonacci was bumped in favor of Angela […]
To begin with: everybody was there. People you haven’t seen in 20 years were there. People you were sure were dead were there. (They were alive, at least as of the third intermission.) The house was quite nearly full, and there were no significant defections as the long evening wore on. Miss M herself began […]
That’s how one industry insider described today’s open dress rehearsal of Madama Butterfly at the Met. “More people than I’ve ever seen in the theater, some of them with tickets scalped from Ebay!” A more measured assessment comes from yet another of La Cieca’s network of operatives: “Well I am happy to say that today’s […]
Having recovered from today’s five hour dress rehearsal at the Met, La Cieca’s spy Barnaba offers this report: There isn’t much point to doing La Gioconda in this day and age if you haven’t got a cast who can put it over. Wonder of wonders, the Met has dug its ancient (1967) staging out of […]
After more than a quarter of a century, Renata Scotto gets the last word over that silly queen who made a career of disrupting her Met performances. The DVD of the “Live from the Met” telecast of Luisa Miller was released today, and is available at Amazon.com at a 30% discount off the list price. […]
The first donnybrook of the Gelb era may well be the Revolt of the Standees. As most of you know, the Met’s Standing Room policy for the past 20 years or so has been to sell tickets for each week’s performances on Saturday morning. The queue that formed early in the a.m. has been under […]
Elisabeth Schwarzkopf died this morning at her home in Switzerland. She was 90. The first report of the soprano’s passing was on Deutchlandradio Kultur: “Elisabeth Schwarzkopf ist tot. Wie der Deutschlandfunk erfuhr, starb die Sopranistin im Alter von 90 Jahren in ihrem Wohnort Zumikon in der Schweiz. Elisabeth Schwarzkopf besaß eine der schönsten Sopranstimmen ihrer […]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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