Fred Kirshnit joins the legions dazzled by the radiance that is Millo. In The Sun, Kirshnit writes

People who love Aprile Millo really love Ms. Millo, and so interspersed among the nearly capacity crowd dressed in their finery as the National Italian American Foundation honored the soprano were the occasional young man or pair of young men tastefully outfitted in smart jeans and strategically placed around the hall for maximum claque impact. Whenever their girl appeared, there were noticeable exclamations of pure joy.

. . . .

As for Ms. Millo, she dismissed the printed program as irrelevant and offered an entirely different couple of selections . . . . But the undoubted takeaway memory was her knockout version of the “Suicidio” from the Orfano Canal act of Amilcare Ponchielli’s “La Gioconda,” which she is currently singing at the Met. This is properly classified as a dramatic soliloquy, and never have I heard it sung quite this dramatically. Ms. Millo, in addition to possessing all of the requisite vocal tools, has a highly developed sense of acting. Her little pauses and flashes of the eyes were mesmerizing. This was one of those rare performances at which I heard a loud exhalation of breath at its conclusion, and realized it was mine.

Those flashing eyes (not to mention the vocal tools) may be witnessed at Millo’s first Tosca of the season on November 25 at the Met.