It happened one knight
Falstaff, Verdi’s totally unexpected, final, great comedic roar.
Falstaff, Verdi’s totally unexpected, final, great comedic roar.
I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.
I am happy to finally add Les contes d’Hoffmann to the playlist in a Salzburg performance from 2003 with Neil Shicoff in one of his parade roles.
“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.
The soprano, famed for her status youngest performer to make a debut at the Met as well as her flamboyant style and personality, died last Thursday after suffering a stroke.
Puccini’s Madama Butterfly with an unexpected heroine: the electrifying Julia Varady, seduced and abandoned by the suavely ardent Giacomo Aragall.
Opera at Caramoor rallied Sunday afternoon with an admirable if erratic performance of Fidelio which was especially memorable for South African soprano Elza van den Heever’s thrilling first-ever Leonore.
“What fools these mortals be!”
The unevenly-beating Heart unfortunately proved less than the sum of its deluxe parts.
There has been a conspicuous absence of chat on Parterre about this year’s Bayreuther Festspiele.
This year as part of Bard’s “Puccini and His World” festival audiences may witness the resurrection of Mascagni’s distinctly odd Iris.
Thanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary.
“Trove Thursday” presentsFerdinando Paër’s 1804 Leonora ossia L’Amore coniugale.
Shirley Verrett remains one of my all-time favorite artists, and I am pleased to introduce her to my Mixcloud site in one of her parade roles: the femme fatale in Saint-Saëns’ Samson et Dalila.
If you were in New York on July 7, 1975 chances are you were at the Met reveling in the visiting Bolshoi Opera’s Eugene Onegin.
This Sunday marks the 10th anniversary of the death of Lorraine Hunt Lieberson from breast cancer.
The cast of Wiener Staatsoper’s first-ever performance of Lulu in 1968 reads like a Who’s Who of then-contemporary Austro-German opera: the 28-year-old Anja Silja, Martha Mödl, Waldemar Kmentt, Hans Hotter, Hilde Konetzni, Manfred Jungwirth, Heinz Zednik, and Karl Böhm presiding over a production by Otto Schenk.
You don’t often hear the grand operas of Benjamin Britten on smaller stages.
I have always wanted to see a production of Strauss’ Elektra that made my ears bleed.
It’s time to add more legends to my Mixcloud site: Mario Del Monaco, Raina Kabaivanska, and Tito Gobbi star in this 1962 performance of Otello from Covent Garden led by Georg Solti.
An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.
That little place just two hours from the city is on the list of things I shall never understand, like the plot of Parsifal.
Berlioz apparently couldn’t decide if his was an oratorio or an opera, so he labeled it a “légende dramatique.” Since its 1846 Paris premiere, it remains on both opera stages and in concert halls, with its first Met staging in 1906.
I realized I hadn’t yet posted anything featuring one of the “Queens of the Bootlegs,” so I now correcting that with Puccini’s La Fanciulla del West starring the great Magda Olivero as Minnie.
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