Truth or dare Truth or dare

On the 21st of this month Romanian soprano Virginia Zeani will celebrate her 95th birthday and Trove Thursday salutes her versatility with two markedly different 20th century works: Menotti’s The Consul and Mascagni’s Il Piccolo Marat, one of many collaborations with her husband Nicola Rossi-Lemeni.

Thou mighty monstre sacré Thou mighty monstre sacré

Trove Thursday relishes neglected works, operas in translation and irreplaceable divas, and this week it presents a pair that embody all three affections: Cherubini’s Les Abencérages and Weber’s Oberon in Italian with the glorious Anita Cerquetti, conducted by Carlo Maria Giulini and Vittorio Gui respectively.

Man of the camellias Man of the camellias

Tuesday the Met unveils its sixth new production of La Traviata since moving to Lincoln Center. 

Season of the Witch Season of the Witch

Trove Thursday offers a pair of live broadcasts of Médée featuring two compelling mid-20th century divas—Inge Borkh in German and Eileen Farrell in Italian. 

Tomb raider Tomb raider

Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?

Lady in a cage

Sometimes it seems as though DVDs are released just for the sake of filling a hole in the catalogue. Considering the lack of anything truly distinctive in this 2007 production of Verdi’s La forza del destino from the Maggio Musicale Fiorentino, that would certainly seem to be the case here. (If anyone is wondering, the…

Snow business

The life of Dmitri Shostakovich’s opera Lady Macbeth of Mtsensk is almost as melodramatic as that of its heroine. Composed in the early 1930’s, the opera was well received at its 1934 Leningrad premiere, and was also a success in Moscow a couple of years later. Then one evening Stalin came to see it and…

The Pleasant Peasant

Last week, as you’ll recall, our Unnatural Opera was Die Frau Ohne Schatten, one of the most grandiose and over-the-top works ever to grace the stage. La Cieca thought her public’s palate could stand a little cleansing, so this time around we will hear a more intimate work, Donizetti’s L’elisir d’amore. This performance is from…