Everyone’s gone to the moon Everyone’s gone to the moon

The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.

Jessye, three ways Jessye, three ways

We have two reasons for celebrating Jessye Norman and the first is a release on the BBC / London Philharmonic Orchestra label of a Richard Strauss concert.

The man who would be nymph The man who would be nymph

Sometimes the fates conspire, preventing an artist from recording the role for which he is his generation’s touchstone.

What win I, if I gain the thing I seek? What win I, if I gain the thing I seek?

This week we get closer to completing the operas of Benjamin Britten with The Rape of Lucretia.

That’s how they did it That’s how they did it

Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.

Pièce de résistance Pièce de résistance

I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.