A favorite Wagner performance from Peter A favorite Wagner performance from Peter

Eleanor Steber and Wolfgang Windgassen in the Act III bridal chamber scene of Lohengrin.

‘Tristan’ minus one ‘Tristan’ minus one

Imagine my surprise then when I discovered a new recording of Tristan und Isolde released by Navona Records, a small label based in New Hampshire that primarily focuses on recitals of chamber music, solo works, and smaller ensemble pieces.

Wien to me Wien to me

Orfeo’s 150 Years box chronologically documents some of the finest nights of live opera from the Wiener Staatsoper in the years following its restoration in 1955.

It’s the Minnesinger not the song It’s the Minnesinger not the song

Tannhäuser pales beside the other great Wagnerian operas in the degree to which it has innovated the Regisseur’s vocabulary for set design and dramaturgy.

Get in the ‘Ring’ Get in the ‘Ring’

Wagner’s Ring is an artistic masterpiece that is peerless in its ability to continually reveal layers of musical, theatrical, and philosophical insight

The art of the steel The art of the steel

This Sony Classical set of live performances covers a golden quarter century in the singing and staging of Wagner. Birgit Nilsson shared it with many other legends, and many of them appear on these discs.

Being alive Being alive

Orfeo’s  latest edition is a 1978 performance of Lucia di Lammermoor with a very estimable cast that on its surface may seem a tad mundane but the extensive liner notes (with performance photos) tell the story of why it held such magic.

Frau Minne Frau Minne

“Trove Thursday” presents a live Tristan 2 concert featuring one of my favorite dramatic sopranos. Gertrude Grob-Prandl.

I saw three ships I saw three ships

“Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams…”

The hill is greener The hill is greener

Live recordings of Hans Knappertsbusch conducting Parsifal seem to proliferate like stairways in M.C. Escher prints.

A ‘Ring’ for the rest of us A ‘Ring’ for the rest of us

I was once accused—by my own mother, mind you!—of having too many recordings of Verdi’s Aida.  The blistering audacity of that recrimination did get me to thinking: How many recordings of Aida is too many? I mean, you’ve got the old classic you cut your teeth on. Then there’s he one where the tenor and…

The music lovers The music lovers

The curious things about accepted wisdom is that sometimes it’s correct.

Under a linden tree Under a linden tree

A new CD features the ten most gorgeous minutes recorded by a tenor in Wagner since World War II.