High and dry High and dry

Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.

Lili among thorns Lili among thorns

Tobias Picker and Aryeh Lev Stollman‘s Lili Elbe receives its first recording ahead of its stateside transition.

What ever happened to her? What ever happened to her?

When the subject of New York City Opera comes up, you always hear the same query: “What happened to City Opera? Are they even performing these days??”

Murder, he composed Murder, he composed

Flashes of excitement and genuine pathos lit up City Opera’s production of Dolores Claiborne!

Let me live by my wits and Trost to my luck Let me live by my wits and Trost to my luck

I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress. 

On topic On topic

Washington National Opera’s American Opera Initiative, now in its 5th year, keeps the opera flame alight at the Kennedy Center during the long winter stretch between mainstage WNO productions.

Mode and moderne

Wednesday afternoon, Pocket Orchestra New York’s new PONYmobile presented a guerrilla performance of sorts in a most unlikely space, the XES Lounge in Manhattan, where designer Joel Yapching‘s BOOK homme debuted its Spring/Summer 2012 collection to the strains of Monteverdi’s Il Ritorno d’Ulisse in patria.