This magic moment This magic moment

Look, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.

Semper Fidelio Semper Fidelio

Fidelio, which opened last week at the Metropolitan Opera, will always be relevant, I fear.

Crazy extremes Crazy extremes

Simon McBurney’s Die Zauberflöte, the second new production of the Met’s May Mozart Miracle, opened on Friday to rousing near-unanimous cheers.

Behind the mask Behind the mask

Un ballo in maschera—but instead of a tragedy, an opera buffa—and in Danish?

Wien disposition Wien disposition

Following classic recordings documenting the work of Karl Böhm and Herbert von Karajan. Orfeo’s 150 Years Wiener Staatsoper box moves on to new releases that are seeing their first incarnation on an officially available disc.

Der Meisterdirigent Der Meisterdirigent

Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.

Burning woman Burning woman

I count myself as privileged to have witnessed Götterdämmerungat the Royal Opera House during this season’s revival of Keith Warner’s Ring.

“The most significant dramatic creation since Les Huguenots” “The most significant dramatic creation since Les Huguenots”

Awaiting the return of Parsifal to the Met, “Trove Thursday” hops to the other end of Wagner’s oeuvre with a recent Rienzi der letzte der Tribunen.

In the River Rhine.  In it. In the River Rhine.  In it.

It is always a pleasure to hear a great orchestra take on a major score that might sound half-muffled emerging from the pit of an opera house.

Fresh, direct

Directors love directing Wagner, or rather, they love directing their versions of Wagner. They don’t seem to like the operas very much. We all know what we’re going to see if we travel to Bayreuth or Berlin or Stuttgart for an evening: the regietheater world of concept grafted over concept grafted over concept with the…

Similes of a summer night

Blazing Jupiter, the Jovial Star, my personal magical azimuth, plus Perseid meteors wafting about, burning out as do our souls, as we arrived home from Seattle Opera’s new production of Tristan und Isolde.

When projections attack

The Catalan theatre company La Fura dels Baus, under the baton of Zubin Mehta, brought forth a new production of Wagner’s Der Ring des Nibelungen in 2007 in Valencia. The brochure for the DVD release calls this “A Ring for the 21st Century” and tells us that stage director Carlus Padrissa has employed “…imagery for…