Winterstorms that go bump in the night
A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.
41 pieces since 2009 — in 17 roles, at 6 companies, most often at Metropolitan Opera.
7 pieces as Fricka — stats above show all coverage for Stephanie Blythe.
View allA hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.
Skirting the leafy, patrician Berkshires of Western Mass, and flush with wine coolers and white people, pastoral Tanglewood doesn’t much resemble the dark Nibelung settings of Norse myth.
Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.
Since 2010 I’ve been reading nothing but horror being heaped upon the Met’s new Ring. It’s been like a cross between a cruise ship size buffet spread of internet snarking and a slasher film re-cast with music critics.
You really didn’t think your doyenne would let a top-secret dress rehearsal at the Met slip away without getting an exclusive on-the-scene report for you, the cher public? Now, did you? Well, if you did, you’re wrong, because La Cieca’s mole (pictured) has filed the following report:
Great expectations awaited the Met Opera’s new production of Das Rheingold, staged by the ambitious Canadian director Robert Lepage, and rightly so. With a 45-ton set carrying a $16 million price tag, a world-renowned cast, and maestro James Levine celebrating his 40th anniversary on the podium, who wouldn’t be on the edge of his seat as […]
Crossing the Plaza and seeing two thousand chairs gleaming in the gloaming with rain slick and thoughts of the evening that might have been for many. Past the ticket takers and the buzz of voices, the gawkers lined up on the stairs to see the celebs, I wend my way through and up and up. […]
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