Something With a ‘Ring’ to It
Cycle II represented an embarrassment of musical riches.
14 pieces since 2011 — in 5 roles, at 6 companies, most often at Metropolitan Opera.
7 pieces as Siegfried — stats above show all coverage for Stefan Vinke.
View allCycle II represented an embarrassment of musical riches.
At the Metropolitan Opera’s Götterdämmerung on Saturday afternoon, the fires which consumed the Gods burned lukewarm.
Stefan Vinke’s Siegfried was not so much brawny and terrestrial, but heady and mercurial
I count myself as privileged to have witnessed Götterdämmerungat the Royal Opera House during this season’s revival of Keith Warner’s Ring.
I can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall.
First seen in 2005, Siegfried makes a welcome return as a stand-alone production this season.
There is a mighty appetite among both old Wagnerians and new ones to see a Ring that follows—if not too slavishly—the scenic requests of the libretto.
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