Austin Opera’s moving production of Fiddler on the Roof grounds itself in lived tradition, to great effect.
Why did Ted Sperling and MasterVoices choose to perform an old warhorse like Carmen which has been produced almost continuously over decades just up the street at Lincoln Center?
She Loves Me can take a beating.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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