A shtetl aesthetic
Austin Opera’s moving production of Fiddler on the Roof grounds itself in lived tradition, to great effect.
3 pieces since 2022.
Austin Opera’s moving production of Fiddler on the Roof grounds itself in lived tradition, to great effect.
Why did Ted Sperling and MasterVoices choose to perform an old warhorse like Carmen which has been produced almost continuously over decades just up the street at Lincoln Center?
She Loves Me can take a beating.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.