No need to grin and bear it
An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
4 pieces since 2018 — at 1 company, most often at Ensemble Correspondances.
An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
Before Wednesday I don’t remember gasping when I entered a concert venue.
French early music group Ensemble Correspondances offered two of the year’s very best concerts.
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