Non son l’umile ancella
“[W]omen are interesting and important in real life. They are not an afterthought of nature, they are not secondary players in human destiny, and every society has always known that.” — Margaret Atwood, February 2017
6 pieces since 2018 — in 5 roles, at 3 companies, most often at San Francisco Opera.
4 pieces as San Francisco Opera — stats above show all coverage for Sarah Cambidge.
View all“[W]omen are interesting and important in real life. They are not an afterthought of nature, they are not secondary players in human destiny, and every society has always known that.” — Margaret Atwood, February 2017
“Who knows what evil lurks in the hearts of men?” went the introduction to the 1940s radio program The Shadow, an apt description for the San Francisco Opera’s production of Rusalka.
There comes a time where everything falls into place, and more importantly, when your head and heart are also in the right mindset. That’s when when the opera becomes cathartic, life-changing experience.
As Brünnhilde invokes the gods of an empty Valhalla for one last time and strides confidently into a wall of flame, we pause for a moment, unsure of what will follow.
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