An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Nostalgia ain’t what it used to be.
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
Despite having lost its announced Cherubino, conductor and Count (the latter in the midst of rehearsals), the season premiere of Le Nozze di Figaro Saturday afternoon proved to be one of the most enjoyable Met Mozart performances I’ve attended in ages.
Is there any opera more bullet-proof than Le Nozze di Figaro?
Too bad, then, that this season’s tossed flower was a bit of a wilted one.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Sir Richard Eyre’s new Manon Lescaut at the Met Friday night demonstrated no particular aptitude for opera.
Adapting a novel, especially a well known novel like Sophie’s Choice, by William Styron, can be a herculean task. The two conflicting, almost mutually exclusive, forces at work are the desire to create a great work for the stage, while at the same time remaining true to all the nuanced characterizations and storylines present in…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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