Teatro Nuovo pays tribute to a historic New York production of Don Giovanni with a talented ensemble.
Fourteen years ago this month, James Levine conducted a tryout at Juilliard of a quite pleasant production by Stephen Wadsworth of Smetana’s The Bartered Bride (in English) intended for the Met. Unfortunately, that transfer never happened and New York has been the poorer for it.
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.
Lisette Oropesa, a product of the Metropolitan Opera Lindemann Young Artist Program, has not been seen much on the stage of the Met in recent seasons.
Oh, La traviata, how do I love thee? Let me count the recordings.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
Ana Maria Martinez is an artist of the first caliber, which was richly evident throughout this imaginative, substantial (nearly two hours!) program, which was (thank you!) offered without a music stand.
Trove Thursday offers Shostakovich’s 1962 Katerina Izmailova with Australian soprano Marie Collier as its anti-heroine and Jon Vickers as her lover.
Don Carlos is my favorite Verdi opera, and I’m always in favor of including the most music. But it can be a dizzying task to keep track of all the options.
As one can see from the chronology published earlier this year, the American Opera Society, in addition to reviving a number of now familiar operas, introduced many singers who became important local figures; however, there were shooting-star exceptions like today’s Trove Thursday offering of d’Albert’s Tiefland featuring Angeles Gulin and Ion Buzea.
Trove Thursday adds two short works—Goyescas and L’enfant et les sortilèges—to Christian’s expansive recent survey of Bernard Haitink’s opera legacy.
November in New York hosts two premieres dedicated to mythology’s greatest musician, which prompts Trove Thursday to present a vintage Monteverdi L’Orfeo with Judith Raskin and Gérard Souzay conducted by Leopold Stokowski (!) and a recent HIP London broadcast of Luigi Rossi’s L’Orfeo.
In anticipation of the Met’s reopening performance on September 11, another serving of pandemic-hoarding arrives on Trove Thursday with 10 rare live performances of the Verdi Requiem’s concluding “Libera me.”
With Lent arriving next week, Trove Thursday throws a “Jeudi Gras” party featuring two delicious zarzuela concerts.
With most of us dug in for the duration, there’s no better time to tuck into a CD box set of neglected treasures. Not that I needed an excuse, mind you.
Starring Jamie Barton, Orfeo ed Euridice returns to the Met next month for the first time in more than a decade so “Trove Thursday” offers two complete live versions of Gluck’s masterwork.
The second summer session of the Russian Opera Workshop concludes this week with concert performances of Tchaikovsky’s Maid of Orleans.
How do we celebrate a long career in opera, particularly one as illustrious as Plácido Domingo‘s?
“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.
Seville bills itself as the “City of 150 operas,” and celebrated this fact at the Exposition of 1992 by erecting a magnificent new opera house, the Teatro de la Maestranza, right beside the Plaza de Toros.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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