Veni, vidi, Vinci! Veni, vidi, Vinci!

Not only cursed to bear a name nearly identical to that of one of the greatest geniuses who ever lived, Leonardo Vinci also had the misfortune to die just three months after the premiere of his greatest opera, reportedly murdered with a cup of poisoned chocolate at the age of 36.

An embarrassment of divas An embarrassment of divas

As if last week’s survey wasn’t enough, a few more recent diva-recital disks remain worthy of attention particularly since they arrive from five front-rank singers.

Divas merrily on high Divas merrily on high

Cecilia Bartoli and Joyce DiDonato are not the only ladies who have recorded recitals this year featuring music from the 17th and 18th centuries.

Mission statement Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital?

Virgin territory Virgin territory

The chicken or the egg?

Citius, Altius, Fortius Citius, Altius, Fortius

Of all the Olympics-related products created to honor the upcoming summer games in London, surely one of the oddest must be a brand new pasticcio just released on a two-CD set by Naïve—L’Olimpiade.

Counter attack Counter attack

By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.

Miss Mannered

Joyce DiDonato enjoys the rare cachet of having three studio-recorded operas released in the past three years while other famous divas must be content with “just” DVDs. Although two of Renée Fleming’s Violettas have found their way onto video in less than five years (why??), “the people’s diva” has only recorded one studio opera in…

Blow’s job

Despite baby-steps over the years, America’s musical scene, especially opera, remains decidedly un-HIP. (HIP: “historically-informed performance,” also called “period performance.”)  While European opera houses turn increasingly to “original instrument” orchestras and specialist singers for seventeenth and eighteenth century works, this rarely occurs in the US. 

Baroque, back

This Cleofide must have been conceived as a perfect target for haters of Italian baroque opera.  While many might (grudgingly?) acknowledge that Handel is indeed an important operatic composer, here we have a virtually unknown name often relegated to dusty music history books. Not only has no one ever heard (nor probably even heard of)…