This made-for-network version is surprisingly provocative and creative for its time. It’s not an unqualified success, but in terms of understanding the play as a whole, it’s a necessary part of the conversation.
Yet there remain some memories and impressions I know we’d both like to share—on a few stage performances, memorable in various ways, so how about one more roundup?
Katharine Hepburn is better than I remembered, including making a reasonable attempt at a Southern accent. And, of course, there is distinctive star quality to burn, as well as interpretive intelligence.
More than any actor I’ve seen on stage or screen, John Malkovich communicates the essential ambiguity of the character.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
It’s a pity that Francis Poulenc took so long to getting around to compose his operas.
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