On the party platform
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
3 pieces since 2015 — in 3 roles, at 1 company, most often at Canadian Opera Company.
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
The Canadian Opera Company’s new production of Otello is a collection of welcome returns.
“CanCon”, or Canadian Content, is always a concern in Canadian cultural discourse.
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