Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
The Canadian Opera Company’s new production of Otello is a collection of welcome returns.
“CanCon”, or Canadian Content, is always a concern in Canadian cultural discourse.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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