Flame off
First things first: working from the limited evidence of half or less than half of Frank Castorf’s production of the Ring, I don’t see any evidence of contempt for the audience or whatever you want to call it.
Otto Schenk
56 pieces since 2009 — at 4 companies, most often at Metropolitan Opera.
56
pieces
4
companies
18
years
Wholly Grail
Certain opera productions become the stuff of legend as much for the circumstances surrounding the performance as for the musical results.
Hier bleibt Elektra
The Met has finally released the contents of the James Levine 40th Anniversary box sets separately for those of us who didn’t have $500 lying around.
La morale in tutto questo?
Don Pasquale is one of those operas that make listeners feel very happy and gay, who, after seeing it, live happily ever after and gayer than before. It’s about a whore who needs to get laid, with an eye on the young (once and still bottom) hunk versus the older (once top, yes you guessed […]
Noch einmal!
Richard Strauss’s brilliantly disturbing Elektra was first performed at the Dresden State Opera in 1909, and arrived in America in 1910 at the Manhattan Opera House. A second American premiere, this time in the original German, was in Philadelphia in 1931 with – and this will kill you – Nelson Eddy as Orestes. Along with […]
Gualtier tells “Tales”
So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.
Master, singers
There are several reasons to purchase the new DVD of Die Meistersinger from Vienna (EuroArts EUA 2072488), but the main one is Christian Thielemann. This production will most likely come to be known as “Thielemann’s Meistersinger,” because his sense of the overall architecture of the work is, pardon the pun, masterful.
By JedSF
8 comments
drammy per musica
New Kid on the Plaza Drammy writes: April 9, 2009. A traditional Otto Schenk production featuring Diana Damrau as Gilda and who cares but.. Frizza conducting, Viktoria Vizin as Maddalena, Calleja as the Duke, Frontali as Rigoletto, Aceto as Sparafucile. Stellar performances from the entire cast, excepting poor Mr Frontali. The set was phenomenal – […]