Drag me to hell
My first-ever Met Sunday opera brought the welcome return of Gluck’s sublime Orfeo ed Euridice in an enchanting afternoon that combined elegant conducting, joyous dancing and Jamie Barton’s extraordinary hero.
5 pieces since 2012 — in 2 roles, at 1 company, most often at Metropolitan Opera.
3 pieces as Metropolitan Opera — stats above show all coverage for Olive Fremstad.
View allMy first-ever Met Sunday opera brought the welcome return of Gluck’s sublime Orfeo ed Euridice in an enchanting afternoon that combined elegant conducting, joyous dancing and Jamie Barton’s extraordinary hero.
Armide with a superbly grand Francophone heroine in Karina Gauvin and conducted by the always excellent Ivor Bolton.
A poster outside Carnegie Hall proclaimed “Mahler Well Met” and to some degree it proved to be true.
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