Over the course of 700 pages, Alex Ross exhaustively—and sometimes exhaustingly—examines an impact that began in the Wagner’s own lifetime and continues unbroken today, with references cropping up in contemporary works as different as The Matrix and Curb Your Enthusiasm.
My first-ever Met Sunday opera brought the welcome return of Gluck’s sublime Orfeo ed Euridice in an enchanting afternoon that combined elegant conducting, joyous dancing and Jamie Barton’s extraordinary hero.
Armide with a superbly grand Francophone heroine in Karina Gauvin and conducted by the always excellent Ivor Bolton.
A poster outside Carnegie Hall proclaimed “Mahler Well Met” and to some degree it proved to be true.
Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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