Thoughts on <em>La Forza del destino</em>: recordings Thoughts on <em>La Forza del destino</em>: recordings

As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.

Se non è vero, è ben ‘Trovatore’ Se non è vero, è ben ‘Trovatore’

Chris’s Cache offers up a quintet of intriguing “forgotten” Leonora-Azucena pairings from the 1970s.

A divided duty A divided duty

Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.

This is a gala day for you This is a gala day for you

On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.

“A valiant if not completely successful attempt” “A valiant if not completely successful attempt”

On this day in 1986, the Metropolitan Opera opened its season with a new production of Wagner’s Die Walküre.

Conspicuous consumption Conspicuous consumption

On Thursday evening, the Teatro alla Scala audience didn’t watch the familiar presentation of a “wayward woman” who overcomes moral inferiority only to be robbed of happiness when she finally deserved it.

I wake up screaming I wake up screaming

Töt erst sein Weib!” shrieks Anja Kampe as Leonore during the very first moments of Andreas Homoki’s ingenious production of Beethoven’s only opera, Fidelio, at Opernhaus Zürich.

The lion in stereo The lion in stereo

A great man has passed and our consolation is that so much of his art has been preserved for us on recordings.

The Piotr principle The Piotr principle

A Dutch-speaking parterrian has graciously translated the interview with Piotr Beczala that’s been causing such a foofaraw lately.

chi mai?

This month Deutsche Grammophon will scrape the bottom of the barrel and present a new recording of Leoncavallo’s genre-bending “symphonic poem for tenor and orchestra”  La Nuit de Mai, studded with stars Plácido Domingo and Lang Lang. Dark horse Alberto Veronesi conducts — indeed, the same Muti-maned steed who was recently announced to succeed Eve Queler…

Yes, it is good to be back

You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is…