Take care of this house
How does one make a performance of standard opera repertoire like Mozart’s Le nozze di Figaro feel “fresh?”
4 pieces since 2017 — in 3 roles, at 2 companies, most often at San Francisco Opera.
How does one make a performance of standard opera repertoire like Mozart’s Le nozze di Figaro feel “fresh?”
Samantha Hankey, so impressive as Diana and Giove-in-Diana in Juilliard’s recent run of Cavalli’s La Calisto, was the perfect Cenerentola.
“Tame” seemed to be the appropriate adjective to describe San Francisco Opera’s Carmen.
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