A Trove Thursday Mega-Post © featuring the wonderful American soprano Erin Morley in Orff’s Carmina Burana and Richard Strauss’s Brentano Lieder, plus extended live excerpts from Handel’s Orlando, Mozart’s Die Entführung aus dem Serail, and Meyerbeer’s Les Huguenots.
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
We leave behind the Vienna of the 1740s, the time of breeches, fans and white wigs.
James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
I’ve always had a fondness for Giacomo Puccini’s Suor Angelica and apparently so did he since he often referred to it as, “among the finest of my children.”
The 19th century could not cope with Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School for Lovers) with a libretto by Lorenzo da Ponte and music by Mozart, first presented in Vienna in 1790.
The performance at the Metropolitan Opera last night proved that yes, it is possible to kill this opera. I don’t know how they managed it, but they did.
My mother asked me once, whilst staring aghast at my CD collection, why I needed so many copies of Don Giovanni.
Daniel Barenboim does not want to conduct Berg’s Lulu. Or so it seems.
When Mojca Erdmann’s new debut CD for Deutsche Grammophon was reviewed in the September issue of Opera News, the disc’s cover art showed the lissome German soprano in a thin, revealing white dress, lying on a bed of roses. The album was then called Mostly Mozart. When that review questioned the titling, DG must have…
Barihunk Mariusz Kwiecien injured his handsome back during today’s dress rehearsal of Don Giovanni at the Met and was taken to the hospital, tweets Dan Wakin. As La Cieca writes this, Kwiecien’s cover Dwayne Croft is at the Met rehearsing the opera’s first act swordfight.
While major stars like René Pape and Piotr Beczala had to wait until they were over 40 to record a solo aria CD, Julia Lezhneva has just done her first—and she’s only twenty-one! After a drought, CD companies are issuing a surprising number of debut recitals; Nino Machaidze, Olga Peretyatko, Mojca Erdmann, and Aleksandra Kurzak…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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