The Canadian Opera Company’s new production of Otello is a collection of welcome returns.
That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.
First seen in 2005, Siegfried makes a welcome return as a stand-alone production this season.
La Cieca thinks she knows who the murderer is.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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