All about her father
Adela Zaharia and Amartuvshin Enkhbat shine brightly in San Francisco Opera’s opening night Rigoletto.
Mark Lamos
9 pieces since 2009 — at 3 companies, most often at Metropolitan Opera.
9
pieces
3
companies
18
years
By company
Meeting Rigoletto
I have a confession to make. I have been taking Rigoletto for granted.
Operas on the verge of a nervous breakdown
It’s a pity that Francis Poulenc took so long to getting around to compose his operas.
Victorious, happy and glorious
Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.
Full of beans
It’s been a bitterly cold winter in NY. When it’s bitterly cold, the air is dry.
Rock stars
Scanning this summer’s Mostly Mozart schedule one wondered if New York really needed another Don Giovanni right now? And one with a non-starry cast where the best-known name was the Commendatore, Kristinn Sigmundsson?
Blood in the water
A DVD of a 2001 Met performance of Berg’s Wozzeck is included in James Levine: Celebrating 40 Years at the Met – DVD Box Set, and it’s easy to see why this performance was chosen. Levine and the Metropolitan Opera Orchestra he has done so much to build and improve are the real stars of […]
Brits blow it again
A drag queen friend of La Cieca’s — long before she was La Cieca — used to have an expression she to describe the terminally inept. The queen would say, “That guy could screw up a blowjob.” By which she meant, of course, receiving a blowjob, i.e., just sitting there, or standing there or whatever.
forty candles
Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances […]