Adela Zaharia and Amartuvshin Enkhbat shine brightly in San Francisco Opera’s opening night Rigoletto.
I have a confession to make. I have been taking Rigoletto for granted.
It’s a pity that Francis Poulenc took so long to getting around to compose his operas.
Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.
It’s been a bitterly cold winter in NY. When it’s bitterly cold, the air is dry.
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