Puccini three ways
Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.
10 pieces since 2012 — in 4 roles, at 4 companies, most often at LA Opera.
Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.
For anyone who thought that Downton Abbey, with its plot lines divided between the gentry and their faithful (or not-so) servants was somehow unique, that particular tale, and lo its many variations, has been told in one form or another since Pierre-Augustin Caron de Beaumarchais put quill to paper in 1778 with La Folle Journée, ou Le Mariage de Figaro.
An opera company presenting a Broadway musical that centers around a woman of a certain age travelling to Italy with her young daughter might seem more a vehicle for a great diva of a certain age.
The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.
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