The gaul of some people The gaul of some people

It’s Norma, darling. We know.

Thoughts on <em>Andrea Chénier</em>: the others Thoughts on <em>Andrea Chénier</em>: the others

There were, of course, other Chénier recordings beyond the truly great ones…

Stratas in the Sixties Stratas in the Sixties

Teresa Stratas turned 83 yesterday and Trove Thursday features one of the recent past’s most interesting yet frustrating artists in two rare broadcasts.

Intimacy Intimacy

Last week, a pair of terrific recitals demonstrated what kind of intimate spell a dramatic singer can cast when left alone with a piano.

I want your Essex I want your Essex

During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.

Let me like a soldier fall Let me like a soldier fall

Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.

Veiled threat Veiled threat

Angela Gheorghiu‘ s idiosyncratically alluring, sometimes maddening, always fascinating Floria Tosca inevitably became the evening’s unmissable raison d’être.

Don’t axe me why Don’t axe me why

The Metropolitan Opera’s much vaunted so-called “Tudor Ring” of three royal operas by Donizetti got off to a bumpy start Saturday afternoon with a revival of Anna Bolena that stubbornly refused to cohere either musically or dramatically.

Racing with the moon Racing with the moon

For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.

Moving targets

In what may qualify as the most unholy alliance of Peter Gelb‘s tenure at the Met so far, since February the “Live in HD” performances from 2009 of both Turandot and Aida issued by Decca have been available from… Target. Only Target. They are scheduled for international release this July. Up until recently there has…

A tale of two Alagnas

In 1890 Cavalleria rusticana had taken the whole world by storm and in the next decade or so, hordes of composers, willing or unwillingly, jumped on the Verismo bandwagon.  La navarraise (1894) is generally considered Jules Massenet’s homage to the genre, and for a long time the two works were often performed together.   Emma Calvé,…

Quel grido e quella morte

Maria Guleghina‘s Turandot on PBS right now, and, holy hell, I didn’t realize just how incredibly awful it sounded. How could anyone let such a thing be released — no, escape — on HD?

A minute and a huff

La Cieca presents an open letter from a parterre box reader.

An opening for a princess

I’m sure I do not need to tell the mostly New-York based readers of parterre this, but Turandot is an opera that can really be turned into a pageant. Not that that’s a bad thing. It is, after all a fairy tale, and so when directors attempt to delve deep into the psychology of Puccini’s…

Lazy afternoon

Neither Maria Guleghina nor Marcello Giordani was in best form for the Met’s HD telecast of Turandot — and, truth be told, the lavish Franco Zeffirelli production is beginning to show its age.

forty candles

Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances…

prepackaged pathos

Those of you cher public who ordered and enjoyed Decca’s bargain Wagner box may now be interested in a bargain Puccini edition offered by EMI. The set, Puccini: The Operas, retails for $59.98 (less than four bucks a disc) and includes complete performances of: 

Diva, from head to mistletoe

Our Own Gualtier Maldè reflects on Maria Guleghina’s first Met Norma. True confession: I love Maria Guleghina, I really, really love her. I know her flaws but her strengths are such that they sweep aside severe demerits that would consign any other artist to filth. Among contemporary singers she is one artist who thinks big,…

Who’s the missing star?

La Cieca was just wondering about something yesterday on opera-l, and doggone if Anne Midgette wasn’t wondering about the same thing today in the New York Times. (That woman haunts my dreams, I tell you. It’s like she’s inside my head. Now, where was I? Oh, yes…) The point that dear Anne and I (among…

Does a big voice need defending?

Our Own Little Stevie reflects on the Met’s new Macbeth. I’d like to admit a guilty pleasure of mine: I’ve secretly been waiting with a lot of anticipation for Maria Guleghina to sing in Macbeth and Norma this year. I have not told this to many people because it seems that the common expectation has…