Neither Maria Guleghina nor Marcello Giordani was in best form for the Met’s HD telecast of Turandot — and, truth be told, the lavish Franco Zeffirelli production is beginning to show its age.
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
La Cieca must be brief as she is on jury duty (can you imagine, La Cieca being asked to pass judgment?) Anyway. Highlight of the Tucker Gala was definitely Marcello Giordani, who was in absolutely ideal voice for the “Improvviso,” and only slightly nervous for the “Vicino a te.” (He sharped on the very final…
To begin with: everybody was there. People you haven’t seen in 20 years were there. People you were sure were dead were there. (They were alive, at least as of the third intermission.) The house was quite nearly full, and there were no significant defections as the long evening wore on. Miss M herself began…
You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is…
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.