Nothing makes me feel better than <em>Der Rosenkavalier</em> Nothing makes me feel better than <em>Der Rosenkavalier</em>

Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?

All about her stepmother All about her stepmother

A new recording by the London Symphony Orchestra is the latest landmark in a spring full of Janácek‘s Jenufa

A favorite Mozart performance from TildyDiva A favorite Mozart performance from TildyDiva

Mozart’s Le Nozze di Figaro, Paris 1980: Georg Solti, Lucia Popp, José Van Dam, Gundula Janowitz, Gabriel Bacquier, Frederica Von Stade.

Tree and tree again Tree and tree again

While everyone tries to figure out what on earth Strauss and Hofmannsthal are up to in Die Frau ohne Schatten, now playing at the Met, Chris’s Cache offers a later, simpler, shorter Strauss with three live broadcasts of his “bucolic tragedy” Daphne.

Donna Anna and the Dynamos Donna Anna and the Dynamos

The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.

Mozart for another time Mozart for another time

Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.

Someday she’ll come along, the girl I love Someday she’ll come along, the girl I love

In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?

Everyone’s gone to the moon Everyone’s gone to the moon

The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.

A place in the shade A place in the shade

Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.

Behind the mask Behind the mask

Un ballo in maschera—but instead of a tragedy, an opera buffa—and in Danish?

The key of dreams The key of dreams

My sister Julie celebrates an important birthday later this month which reminded me—as I also recalled I visiting her while she was living in Prague—that I should unearth Bohuslav Martin?’s Julietta with Lucia Popp and Dénes Gulyás for this week’s Trove Thursday.

Desperate housewife Desperate housewife

As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.

Shade in the shadow Shade in the shadow

Ombra Compagna, out today on Pentatone, spotlights Lisette Oropesa  in 10 of Mozart’s most challenging concert arias accompanied by Il Pomo d’Oro conducted by Antonello Manacorda.

Dies irae, dies illa Dies irae, dies illa

Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.

Idol gossip Idol gossip

During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.

Have yourself a merry little widow Have yourself a merry little widow

Trove Thursday follows tradition and bids farewell to 2020 with an operetta: Lehár’s Die Lustige Witwe starring Edda Moser as a most commanding Hanna Glawari!

Boys don’t cry Boys don’t cry

Who will prevail in Trove Thursday’s Fidelio Drag Race finals: Gwyneth Jones/Leonard Bernstein 1970 or Julia Varady/Nikolaus Harnoncourt 1986?

Mad and madder Mad and madder

With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.

Multiple Mascagni Multiple Mascagni

Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.

The last time I saw Paris The last time I saw Paris

Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.

Vier Letzte Lieder Vier Letzte Lieder

My introduction to the work was the Angel LP from 1964 with Elisabeth Schwarzkopf and George Szell… and yes, I’m aware that it’s a performance that tends to divide rooms.

Storm of the century Storm of the century

A sense of celebration was definitely in the air last Thursday at the Vienna State Opera.

Wien to me Wien to me

Orfeo’s 150 Years box chronologically documents some of the finest nights of live opera from the Wiener Staatsoper in the years following its restoration in 1955.

A grandeur night for singing A grandeur night for singing

Die Zauberflöte is an opera!”  “No, it’s the first musical comedy!”