At Wolf Trap Opera, a season-closing Tosca is weighed down by an incoherent setting during Italy’s Anni di piombo.
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
In its first production since departing the Kennedy Center, the Washington National Opera presents a new adaptation of “King of Ragtime” Scott Joplin’s opera Treemonisha.
Wolf Trap Opera’s stirring production of Dialogues des Carmélites was a welcome respite from a brutally hot and humid DC summer.
Edward Hopper’s paintings from the 1930s and 1940s are simply lousy with windows.
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