Everybody dance now
Austin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
24 pieces since 2009 — in 15 roles, at 8 companies, most often at Metropolitan Opera.
2 pieces as High Priest — stats above show all coverage for Laurent Naouri.
View allAustin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
For opening night 2018, the Met offered the creaky but appealing biblical epic Samson et Dalila, presumably as a vehicle for Elina Garanca and Roberto Alagna.
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