Impossible to pick any one film clip, but it’s hard to imagine a more evocative use of operatic music than Lars von Trier‘s Melancholia.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
Can György Ligeti‘s only opera be understood as the composer’s own grappling with trauma, death, and memory of a past life?
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